Commandment
one:
“I am your topic, thy subject, and thou shalt chase no other rabbits in
this paper…for I, your topic, thy subject, am a jealous topic.”
The writing process generally begins with
prewriting, which includes observing, journaling, gathering information,
brainstorming, asking “what if” questions, mapping, clustering, defining your
topic, choosing your audience, deciding on your purpose, and outlining.
Each essay should be developed around a thesis
statement, or a statement of controlling purpose. What will this paper be about?
The thesis statement will help you stay on the right track as you write
your essay and should:
·
Express
the main idea
·
Tell
what you will accomplish in the paper
·
Indicate
your organizational pattern
·
Reflect
your tone and point of view
Here are some hints for writing and using a thesis
statement (Kinneavy and Warriner):
·
Develop
the thesis statement from the information you have gathered. What main idea do you see?
·
Check
your thesis statement for both a limited topic and your main idea about
it. Your thesis statement must answer
both questions--What’s my topic? and What about the topic?
·
Be
clear and specific.
Bad thesis statement: The human brain is interesting. (fuzzy topic, too broad)
Bad thesis statement: The brain has two sides. (limited topic but no main idea about the
topic)
Formulaic thesis statement: This paper will discuss the different functions of the two sides of the
human brain.
Better thesis statement: The brain has two sides with different functions.
More interesting thesis statement: While it’s true that the brain’s two sides
have different functions, they work together, not in conflict.
Bad thesis statement: Lasers are a new technology. (too
broad, no main idea)
Formulaic thesis statement: I will define laser technology, review the history of lasers in the
field of medicine, and describe the many ways doctors in various specialties
are using lasers to heal the sick.
More interesting thesis statement: Lasers have an amazing variety of
applications in such fields as manufacturing, communications, and
entertainment. It is in the field of
medicine, however, that lasers have had perhaps their most important and
dramatic effects.
After you have narrowed your topic, gathered your
ideas, and written your thesis statement, you need to spend some time arranging
your main points. Wilbers equates
writing to block-building—“your basic activity remained the same: fitting
individual pieces into some type of coherent whole” (166). Writing is a matter of arrangement—putting
words into sentences, sentences into paragraphs and paragraphs into an essay or
narrative.
Here are some common ways to order ideas:
|
Type
of Order |
Definition |
|
Chronological |
Order
the events as they happen in time, such as telling a story, explaining a
process, writing a biography, or describing a historical event |
|
Spatial |
Describe
objects according to location, such as near to far, outside to inside, left
to right, top to bottom |
|
Importance |
Order
details or points from least to most important or vice versa |
|
Logical |
Classify
items by groups |
|
Cause
and Effect |
Analyze
connections—why something happened, and what the result was |
|
Comparison
and Contrast |
Explore
the similarities and differences between two objects or ideas |
Strunk and White suggest making the paragraph the
unit of composition.
The paragraph is a
convenient unit; it serves all forms of literary work….
Ordinarily, a subject
requires division into topics, each of which should be
dealt with in a
paragraph. The object of treating each
topic in a paragraph
by itself is, of course, to
aid the reader. The beginning of each
paragraph
is a signal that a new step
in the development of the subject has been reached….
As a rule, begin each
paragraph either with a sentence that suggests the topic
or with a sentence that helps the transition. If a paragraph forms part of a larger
composition, its relation to what precedes, or its function as a part of the
whole,
may need to be expressed. This can sometimes be done by a mere word or phrase
(again, therefore, for the
same reason) in the first sentence.
Sometimes, however,
it is expedient to get into
the topic slowly, by way of a sentence or two of
introduction or transition
(15-16).
A paragraph should have unity—all
sentences should work together to express or support one main idea, which is
usually stated in the thesis statement.
A paragraph should also have coherence—all ideas are sensibly arranged
and clearly connected.
The same techniques you use in
creating paragraph unity and coherence work for creating unity in longer pieces
of writing. To ensure that an essay has
unity, make sure each paragraph is related to your main idea and that all your
supporting details in fact support that idea as well as the main idea of the
paragraph in which they appear. The
paragraphs of a longer piece of writing should also flow smoothly from one
another and be logically connected.
Commandment
two:
Thou
shall not write in long, rambling or short, choppy sentences.
The basic structure of an
English sentence is a subject followed by a verb. But following this pattern all the time makes your writing
lifeless. As Wilbers says:
Writing without subordinate
elements is like speaking in a loud voice,
without subtlety or
variation, just as allowing your sentences to sprawl
out of control, without
shape or rhythm, can be compared to going
without shaving or washing
your hair (68).
To avoid choppy or otherwise
monotonous sentences, vary the beginnings of your sentences as well as the type
and length of sentences. (See below for an explanation of sentence types.)
Short, choppy writing sounds
like a first-grade reader:
Let me
introduce my best friend. Her name is
Susan. She is a high-school
student. She attends Parkview High
School. Parkview High School is located
in Lilburn, Georgia. She has one
brother. She likes to play
basketball. She also likes to play
tennis. She enjoys white-water
rafting. She does not play but likes to
watch football and soccer.
By
combining sentences, you make writing more rhythmic and interesting:
My best
friend, Susan, attends Parkview High School, which is located in Lilburn,
Georgia. She has one brother. Susan plays tennis and basketball, and she
enjoys white-water rafting. When she is
not participating in sports herself, you will find her watching football and
soccer.
Now the paragraph has a variety of sentence
beginnings, sentence lengths, and sentence types. Wilbers suggests: “More advanced writers…attend to how various
sentence structures sound in relation to each other. For them, writing involves creating sentence structures that not
only connect their thoughts but produce a distinct rhythm and flow (76).”
Parallelism
is another way to create music or rhythm in writing. Parallelism involves balancing words or groups of words that have
the same function in a sentence by giving them the same structure.
Not
parallel: Jack and Jill need sympathy and to be noticed.
Parallel:
Jack and Jill need sympathy and attention.
Not
parallel: Students attend school for nine months and are vacationing for three
months.
Parallel:
Students attend school for nine months and vacation for three months.
A Quick Review of Sentence Types
There are four types of
sentences: simple, compound, complex, and compound-complex.
Simple
sentences are comprised of one independent clause. (A clause has one subject and verb.)
She has one brother.
Compound
sentences have two independent clauses, which are joined by a comma and a
conjunction or a semicolon.
Susan plays tennis and basketball, and she
enjoys white-water rafting.
Complex
sentences have one independent clause and at least one subordinate clause. A subordinate clause cannot stand by itself
as a complete sentence although it has a subject and a verb. (The subordinate clauses are underlined in
the examples below.)
My best
friend, Susan, attends Parkview High School, which is located in Lilburn,
Georgia.
When she is
not participating in sports herself, you will
find her watching football and soccer.
Compound-complex
sentences have at least two independent clauses and at least one subordinate
clause. They will also contain a comma
and a conjunction or a semicolon.
Susan plays
tennis and basketball; when she is not participating in sports herself,
you will find her watching football and soccer.
Commandment
three:
for thy instructor will not leave a paper unpunished
which uses vague vocabulary.
One way to clarify writing
is to choose your words carefully. Proper word choice, or diction, involves identifying words that
say precisely what you mean. As Strunk
and White say, “Prefer the specific to the general, the definite to the vague,
the concrete to the abstract” (21).
Vague: It changed the appearance of the landscape.
Specific: The tornado destroyed everything in its
path—houses were leveled, trees were uprooted, and Farmer Martin’s cow was
stranded on top of the Conoco station.
Vague: We
had a period of unfavorable circumstances.
Specific: My
wife lost her job.
An old adage writing teachers have
used for centuries applies here: don’t tell the reader, show the reader. One of the best ways to avoid vagueness is
to use good imagery (appeal to the five senses.)
It was a fancy room.
(Telling)
“The dining room to which Ivan conducted him was in many ways
remarkable. There was a medieval
magnificence about it; it suggested a baronial hall of feudal times, with oaken
panels, its high ceiling, its vast refactory table where two-score men could
sit down to eat. About the hall were
mounted heads of many animals….” (Showing)
The
second example, which is from Richard Connell’s short story “The Most Dangerous
Game,” contains words of substance. The
reader can visualize General Zaroff’s dining room in detail.
Another way to inject specificity into your writing
is to make sentences tell stories.
Action arouses curiosity, and “movement of any sort raises questions,
and we want to know the answers” (Wilbers, 2000, 49). Like any other form of narration, sentences need characters and
actions. Rather than saying “A sudden
decline in the stock market occurred,” write “The stock market crashed.” Rather than “The result of the examination
of soil samples was the discovery of an incredibly rich vein of ore,” write
“When the engineers examined the soil samples, they discovered a rich vein of
ore.”
Writers should avoid “empty” modifiers because they
do nothing more than express approval or disapproval, leaving the reader to
wonder about the extent and reason for the feelings.
Empty
Modifiers
good boring really very nice awesome
exciting great fine fun super totally
pretty awful cute interesting fantastic wonderful
terrible bad
Three additional suggestions regarding diction are
worth noting:
·
When
you are looking for vivid vocabulary, do not just pick words from a thesaurus
if you have never used them before. It
will be obvious to your reader if you misuse a word in context.
·
Synonyms
have different connotations (personal, emotional meanings) so you must choose
carefully. Think about the different
associations with these synonyms for red: beefy, scarlet, rosy.
· Most readers prefer natural
language. If you try to sound too
academic, you come off sounding artificial and pompous.
Commandment
four:
Remember
thy introduction and conclusion, to keep them effective.
Your
most important paragraph is your first one…. In expository writing,
a good lead provides the
information and context needed by the reader
to understand the subject or
purpose. In persuasive writing, a good
lead
prepares the reader
intellectually and emotionally to accept the writer’s
point of view…. In narrative
writing, a good lead invites the reader into
the story by offering an
intriguing scene or introducing an interesting
character. The purpose of your lead is to convince your
reader that the
text that follows is worth the time it will take to read it. (Wilbers, 180-181)
Introductions should be
creative. They should grab the reader’s
attention while at the same time clearly communicating your topic and setting
the tone for the composition. It is a
good idea to mention your main points—an introduction serves as a roadmap for
your reader to follow.
Here are a few techniques
for writing introductions:
·
Begin
with an example or anecdote
·
State
a startling or interesting fact
·
Use
an appropriate quotation
·
Ask
a question
·
Give
some background information
·
Provide
a vivid, detailed description
·
Begin
with a simple statement of your thesis
In all types of writing,
your conclusion carries special emphasis.
It invites the audience to consider the
significance of what has transpired
by placing everything that preceded it in a
new light. The questions
“Why did it end here?” and “What does it
mean?” are closely linked.
(Wilbers, 185)
An effective conclusion
should stress the significance of your topic and bring the essay to a
close. Conclusions should not simply
restate your main points and certainly should not introduce new ideas.
Here are some techniques for
writing conclusions:
·
Restate
the main idea in different words. Try
to find a newer, stronger wording.
·
Summarize
your major points.
·
Close
with a final idea or example.
·
Make
a final comment on the topic (a thoughtful observation, a personal reaction, or
a vision of the future)
·
Call
on your reader’s to take action, especially in a persuasive essay.
·
Refer
back to your introduction. This is a
form of parallelism or bringing the paper full circle.
Commandment
five:
so that your grades may be increased on thy assignments,
which the instructor, your judge, gives you.
Although the ideas and
development of your paper are of paramount importance, the mechanics of
writing—spelling, punctuation, correct citation of sources, format of the
paper, etc.—should not be neglected.
Proper English usage gives a writer credibility with his or her
audience; poor grammar and mechanics can obscure meaning and distract readers.
Writing
conventions to consider:
·
Complete,
correct sentences
·
No
run-on sentences (no punctuation to separate independent clauses)
·
No
comma splices (comma used instead of semicolon, conjunction, or period)
·
No
fragments (unless it is obvious that you used them intentionally for effect)
·
Control
over grammar
·
Subjects
and verbs agree
·
Pronouns
agree with their antecedents
·
Verb
tense is consistent
·
Control
over punctuation
·
Correct
spelling
·
Correct
capitalization
·
Correct
paragraph breaks
·
Correct
citation of sources (if applicable)
Commandment
six:
Thou
shall not write a skeletal paper.
Writing involves a fundamental
two-step pattern: make an assertion then support it with strong, relevant
examples and detail. To help you decide
how much detail to include, ask yourself “How much does the reader already
know?” and “What needs to be pointed out or made explicit?” In general, it is better to err on the side
of giving too much support. Explain
enough background so that someone unfamiliar with your topic can understand
what you are talking about. A good
guideline is for every statement of fact, you should have at least one
statement of elaboration and interpretation.
Fully develop each main point using:
·
pertinent
reasons
·
examples
·
statistics
·
concrete
details
·
anecdotes
·
analysis
·
quotations
(correctly document your sources)
·
analogy
and metaphor
Beware of circular reasoning—trying to prove a
statement by repeating it in other words.
Circular reasoning:
I like basketball because it is my
favorite sport.
Supported reasoning: I like basketball because it is fast-paced and is physically and
mentally challenging.
Use the following guidelines to correct unsupported
statements (Blau, 409):
Claim: Space exploration should continue.
Supported Claim: Space exploration should continue
because it satisfies a human longing to investigate the unknown, and space
explorers might discover new supplies of resources that are becoming scarce on
Earth.
Also remember to balance the development of your
main points. You should not have a page
and a half of explanation of one point and only a few sentences about your
other points.
Commandment
seven:
Thou
shall not use rigid, formulaic organization.
Formulaic organization means:
·
the
three ideas stated in the thesis are simply repeated as three topic sentences
·
the
conclusion simply restates the thesis
·
sequence
words are limited to things like: first,
second, next, finally, my next point,“In this paper I’m going to tell you…”,
etc.
More mature writers find creative, natural ways to
connect ideas.
The key to creating coherence is
using transitional language to connect your ideas and paragraphs.
The process of reading
is, by nature, linear and sequential.
In other words, every
sentence operates in the context of what
precedes it. Conversely, the thought of every sentence is
developed,
elaborated, limited, or in
some way modified by what comes after it.
The coherence of your text
depends on how carefully you make
connections, not only within
your sentences, but also between your
sentences and between your
paragraphs. (Wilbers, 197)
There are two basic techniques for making the
relationships among ideas clear:
·
Include
transitional words (see list below)
·
Use
“word chains”—pronouns, synonyms, and repeated words—to show that statements in
separate sentences refer to the same things.
Maria is a talented guitarist. She plays both a classical guitar and a steel guitar.
(pronouns)
And then, in 1938, a trawler fishing off the coast
of South Africa brought up a very strange fish….She noticed this peculiar
fish…. (synonyms)
Earth has a natural satellite called the
moon. However, the Earth is not the
only planet that is orbited by satellites. (repeated word)
1. Continuation Signals (Warning—there
are more ideas to come):
and again a final reason last of all
moreover other too also
and finally furthermore likewise next
secondly with another first of
all
in addition more one reason similarily
2. Change-of-direction Signals (Watch out—we’re doubling back):
although despite however in spite of
the opposite rather while different from
but in
contrast nevertheless on the contrary
still though conversely yet
even though instead
of otherwise on the other hand
3. Sequence Signals (There
is an order to these ideas):
first, second, third in
the first place then before
into last since later
now earlier for one thing next
while until always during
4. Illustration Signals (Here’s
what the principal means in reality):
for example specifically for instance to illustrate
that is much
like in the same way similar to
5. Cause, Condition, or Result Signals:
because for
in order that while but as
resulting from therefore so that yet due
to if
consequently from so then that of
whether until unless thus since
6. Spatial Signals (tell
“where”):
north out across right middle over
south in next to toward away below
east opposite about on adjacent this
west close
to inside around beyond behind
between near outside beside under
far there above alongside in
front of
7. Comparison-Contrast Signals (point to similarities and differences):
and either more than even best/worst
as much as but
yet opposite though or
different than however same then like
better/worse analogous
to although while less/most
too rather
8.
Conclusion Signals (Announce the end is coming):
as a result in
conclusion consequently in summary
last of all finally therefore
Commandment
eight:
Thou
shall not plagiarize.
Plagiarism involves using the ideas or writings of
another person as your own. It
constitutes a form of intellectual larceny and is considered cheating.
There are some easy ways to avoid plagiarism:
§
Use
source cards—cards containing the bibliographic information for a source--and
label each source card with a number (1, 2, 3, etc.). When you write information on note cards, simply put the source
card number at the top of each card.
Here
are some basic guidelines for what should be cited in an academic paper:
Commandment
nine:
Thou
shall not be overly wordy or repetitive.
As Strunk and White say, writers should “omit
needless words…. A sentence should contain no unnecessary words, a paragraph no
unnecessary sentences, for the same reason that a drawing should have no
unnecessary lines and a machine no unnecessary parts. This requires not that the writer make all sentences short and
avoid all detail and treat subjects only in outline, but that every word tell”
(23).
Unnecessary words weigh down and deaden writing,
making it seem laborious and cumbersome to read. “As a rule, the more economically you use language, the more
powerfully you will deliver your message” (Wilbers, 11).